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Ryan Reynolds, star of The Proposal and Wolverine, puts a new twist on being ridiculously hot and on a magazine cover by making me lust for a man wearing floaty wings. But it's worth it. Whoever had this idea/took this picture deserves a huuuuge raise (pun intended). Please enjoy, but take Ryan's message seriously and wear your water wings. Swimming can be dangerous, yo!
Image found via EW's website.
Unlike my previous Oscar picking post, this one is designed to let you know which movies I found most enjoyable out of all the films nominated. So, since Hellboy 2 is nominated for Best Makeup, I could potentially include it on this list (if I had seen it or liked it- and the answer is neither). Basically, I wanted to remove the stuffiness from the Oscar list and pick out the movies that I want to see ten more times and probably buy. So here goes.
6. Vicky Cristina Barcelona: Written and Directed by Woody Allen, starring Scarlett Johanssen, Rebecca Hall, Javier Bardem and Penelope Cruz
Nominated for Best Supporting Actress
My idea of this film before I saw it was that it would be primarily about Penelope and Scarlett fighting over Bardem, and that it might be cute and sexy but it wouldn't go much beyond that. As soon as Penelope comes onscreen, she hijacks the film away from the cool aloofness that Scarlett brings and the British neurotic that Rebecca plays (she was previously excellent in The Prestige). Penelope brings much needed life and energy to the film, and also amps the sex appeal up from about a six (on a scale of one to ten) to a thirty-two. And this is with the much-heralded make-out scene with Scarlett being much tamer and more lackluster than previously imagined. Even if I were just watching the film for pure aesthetic enjoyment I would love it because everyone looks so beautiful, but the fact that it has a great story and is well acted makes it one of my favorites of the year.
5. In Bruges: Written and Directed by Martin McDonagh, starring Colin Farrell, Brendan Gleeson, and Ralph Fiennes
Nominated for Best Original Screenplay
Wildly inappropriate and pee-your-pants hilarious, In Bruges is about two hitmen (Colin & Brendan- both never better) who are forced by their boss (Ralph) to lay low in Bruges, Belgium, which unfortunately for them is the worst and most boring town in the world, but fortunately for us the more it makes Colin miserable, the funnier it gets. If you love laughing about un-politically correct topics in the privacy of your own home, do yourself a favor and rent In Bruges.
4. The Wrestler- Directed by Darren Aronofsky, starring Mickey Rourke, Evan Rachel Wood and Marisa TomeiNominated for Best Actor and Best Supporting Actress
Watching Mickey completely invest himself in the character was absolutely addictive, and I felt out of breath after the movie was over because I realized I had been holding my breath worrying for his character and not wanting the movie to end. I'll spare you the rehash of my Best Actor arguments, but let's just say Mickey's so good that at times I forgot Marisa was in the movie. And I really dislike her as an actress.
3. Slumdog Millionaire: Directed by Danny Boyle, starring Dev Patel, Freida Pinto, Anil Kapoor
Nominated for 10 Oscars including Best Picture, Best Director, and Best Adapted Screenplay
As with The Wrestler I will happily spare you with more of my nonsensical Slumdog joy, but I will say that even above the movie, its soundtrack is one of the best I've ever heard (I can't decide whether it's my favorite- the soundtrack to 24 Hour Party People with Steve Coogan is simply amazing and of course anything with Barbra is pure joy to listen to). I hope they can convince M.I.A. to perform on Sunday, because she is the only one who can deflect the nausea being hurled at me from all directions by Beyonce.
2. Man on Wire: Directed by James Marsh and starring Philippe Petit (as himself)
Nominated for Best Documentary.
Man on Wire is a documentary about Philippe's extraordinary desire to walk a tightrope between the Twin Towers when they were just being built in the 1970s. You'll know very quickly whether you'll like the movie or not because it rests on how you feel about Philippe's personality, as he is (obviously) the focus of the film. It explores his journey via pictures and videotapes of him tightroping during that era, and the time is relived through interviews with him and his co-conspirators with a few re-enactments. I have to say I loved this film so much that I wish it was nominated for Best Picture, and even if someone didn't like the personality of Philippe, it would be a hard and cynical person who could not appreciate some of his feats shown in the movie. On Rotten Tomatoes, the movie has been reviewed by 137 critics and it has a one hundred percent positive rating, so you know I'm not totally lying when I say it's amazing. If you pick one movie from this list or only listen to one thing I write, ever, go rent Man on Wire.
1. The Dark Knight: Directed by Christopher Nolan, starring Christian Bale, Maggie Gyllenhaal, Heath Ledger, Aaron Eckhart, Michael Caine, Gary Oldman and Morgan Freeman. Nominated for 8 Oscars including Makeup, Sound, Editing, Visual Effects, Cinematography, Art Direction, and Best Supporting Actor.
I'll spare you the rehash of my movie review last year, but after seeing it three times on IMAX and once on Blu-ray, I can safely say that it does not get old.
Images found via Google Images.
I've decided to write a segment about films you may not have heard of that are worth your viewing time (kind of the opposite of Movies You Need Not Watch). The first film is the sweet and soulful The Station Agent, written and directed by Tom McCarthy (an actor, notably from Syriana) and starring Peter Dinklage (30 Rock, Penelope), Bobby Cannavale (Will's Boyfriend from Will & Grace) and Patricia Clarkson (Good Night and Good Luck).
The film is about Finn (Dinklage), who inherits a small train depot in Newfoundland, New Jersey, after his friend and boss dies. A dwarf, he prefers his own company to that of judgmental people (one takes a picture of him while he is shopping), and most of all he loves trains. When he moves to the depot he meets Joe (Cannavale), a rambunctious food vendor whose father is ill and who hates being alone (or at least silence). Completing the trio is Olivia (Clarkson), a scatterbrained artist who is recovering from the death of her son. Though they have very little in common the three forge a bond revolving around the coolness of trains and begin hanging out, and their relationship as well as the ups and downs in their own lives play out for the audience to devour.
Each of the actors are incredibly real and vulnerable in their performances- in fact, even though I've seen each actor in multiple mediums and enjoyed them I found it impossible to separate them from their characters while they were onscreen and could only recall their performances in other movies after the movie was finished. The actors bring such fullness to their characters that the script is totally believable, and it makes the audience invest completely in them and the movie. It is not a particularly sad or happy movie, but it is a total enjoyment to watch and experience. At only about ninety minutes it would be a perfect way to spend a weekend afternoon, and damned if I wasn't already missing the characters as soon as the credits rolled. So I played all the deleted scenes, which I rarely do. Rent The Station Agent, and if you are not totally satisfied with the experience, I will happily listen to you.
Images found via Google Images.
My idea of this film before I saw it was that it would be primarily about Penelope and Scarlett fighting over Bardem, and that it might be cute and sexy but it wouldn't go much beyond that. As soon as Penelope comes onscreen, she hijacks the film away from the cool aloofness that Scarlett brings and the British neurotic that Rebecca plays (she was previously excellent in The Prestige). Penelope brings much needed life and energy to the film, and also amps the sex appeal up from about a six (on a scale of one to ten) to a thirty-two. And this is with the much-heralded make-out scene with Scarlett being much tamer and more lackluster than previously imagined. Even if I were just watching the film for pure aesthetic enjoyment I would love it because everyone looks so beautiful, but the fact that it has a great story and is well acted makes it one of my favorites of the year.
Wildly inappropriate and pee-your-pants hilarious, In Bruges is about two hitmen (Colin & Brendan- both never better) who are forced by their boss (Ralph) to lay low in Bruges, Belgium, which unfortunately for them is the worst and most boring town in the world, but fortunately for us the more it makes Colin miserable, the funnier it gets. If you love laughing about un-politically correct topics in the privacy of your own home, do yourself a favor and rent In Bruges.
Watching Mickey completely invest himself in the character was absolutely addictive, and I felt out of breath after the movie was over because I realized I had been holding my breath worrying for his character and not wanting the movie to end. I'll spare you the rehash of my Best Actor arguments, but let's just say Mickey's so good that at times I forgot Marisa was in the movie. And I really dislike her as an actress.
As with The Wrestler I will happily spare you with more of my nonsensical Slumdog joy, but I will say that even above the movie, its soundtrack is one of the best I've ever heard (I can't decide whether it's my favorite- the soundtrack to 24 Hour Party People with Steve Coogan is simply amazing and of course anything with Barbra is pure joy to listen to). I hope they can convince M.I.A. to perform on Sunday, because she is the only one who can deflect the nausea being hurled at me from all directions by Beyonce.
Man on Wire is a documentary about Philippe's extraordinary desire to walk a tightrope between the Twin Towers when they were just being built in the 1970s. You'll know very quickly whether you'll like the movie or not because it rests on how you feel about Philippe's personality, as he is (obviously) the focus of the film. It explores his journey via pictures and videotapes of him tightroping during that era, and the time is relived through interviews with him and his co-conspirators with a few re-enactments. I have to say I loved this film so much that I wish it was nominated for Best Picture, and even if someone didn't like the personality of Philippe, it would be a hard and cynical person who could not appreciate some of his feats shown in the movie. On Rotten Tomatoes, the movie has been reviewed by 137 critics and it has a one hundred percent positive rating, so you know I'm not totally lying when I say it's amazing. If you pick one movie from this list or only listen to one thing I write, ever, go rent Man on Wire.
I'll spare you the rehash of my movie review last year, but after seeing it three times on IMAX and once on Blu-ray, I can safely say that it does not get old.
The film is about Finn (Dinklage), who inherits a small train depot in Newfoundland, New Jersey, after his friend and boss dies. A dwarf, he prefers his own company to that of judgmental people (one takes a picture of him while he is shopping), and most of all he loves trains. When he moves to the depot he meets Joe (Cannavale), a rambunctious food vendor whose father is ill and who hates being alone (or at least silence). Completing the trio is Olivia (Clarkson), a scatterbrained artist who is recovering from the death of her son. Though they have very little in common the three forge a bond revolving around the coolness of trains and begin hanging out, and their relationship as well as the ups and downs in their own lives play out for the audience to devour.
Each of the actors are incredibly real and vulnerable in their performances- in fact, even though I've seen each actor in multiple mediums and enjoyed them I found it impossible to separate them from their characters while they were onscreen and could only recall their performances in other movies after the movie was finished. The actors bring such fullness to their characters that the script is totally believable, and it makes the audience invest completely in them and the movie. It is not a particularly sad or happy movie, but it is a total enjoyment to watch and experience. At only about ninety minutes it would be a perfect way to spend a weekend afternoon, and damned if I wasn't already missing the characters as soon as the credits rolled. So I played all the deleted scenes, which I rarely do. Rent The Station Agent, and if you are not totally satisfied with the experience, I will happily listen to you.
Images found via Google Images.
